truth-has-a-liberal-bias:

thepeoplesrecord:

fuckyeahmarxismleninism:

Remember that time the U.S. shot down an Iranian civilian airliner over Iranian airspace, killing all 290 on board, including 66 children, and then refused to apologize for doing it?
"I will never apologize for the United States. I don’t care what the facts are. I’m not an apologize-for-America kind of guy." — Vice President (and then-presidential candidate) George H.W. Bush, commenting on the downed airliner, 8/2/1988

That quote makes me sick.

This happened in 1988 while Ronald Reagan was president. Just another in a long list of awful things that Reagan was responsible for.

truth-has-a-liberal-bias:

thepeoplesrecord:

fuckyeahmarxismleninism:

Remember that time the U.S. shot down an Iranian civilian airliner over Iranian airspace, killing all 290 on board, including 66 children, and then refused to apologize for doing it?

"I will never apologize for the United States. I don’t care what the facts are. I’m not an apologize-for-America kind of guy." — Vice President (and then-presidential candidate) George H.W. Bush, commenting on the downed airliner, 8/2/1988

That quote makes me sick.

This happened in 1988 while Ronald Reagan was president. Just another in a long list of awful things that Reagan was responsible for.

(via thisiswhiteculture)

After Marissa Alexander Denied 'Stand Your Ground' Defense, Supporters Cry Out For Change - Atlanta Blackstar

freemarissanow:

Marissa needs your voices and support more than ever!
Standing Our Ground Week of Action starts today!
July 25-Aug 1: LET’S TAKE ACTION!

Organize in your communities or post a photo for #SelfiesForSelfDefense and show your support and love online.

Say it loud and say it proud: Free Marissa Alexander!

(via yellowxperil)

Iggy profits from the cultural performativity and forms of survival that Black women have perfected, without having to encounter and deal with the social problem that is the Black female body, with its perceived excesses, unruliness, loudness and lewdness. If she existed in hip hop at a moment when Black women could still get play, where it would take more than one hand to count all the mainstream Black women rap artists, I would have no problem. Iggy would be one among the many. But in this moment, she represents a problem of co-optation. She represents the ways in which hip hop is on a crash course to take exactly the path that rock ‘n roll took such that 20 years from now, people my nephew’s age, will look at the Macklemores and Iggys of the world as representative of Hip Hop Culture, with nary a Black soul making their top ten list of hip hop greats.

Iggy Azalea’s post-racial mess: America’s oldest race tale, remixed

As a white female rapper mistakes appropriation for artistry, here’s how black women remain pushed to the sidelines

(via unapproachableblackchicks)

(via howtobeterrell)

medievalpoc:

beggars-opera:

I’ve seen a few fashion posts trying to expand the “Marie Antoinette is not Victorian” rant, but this stuff can get complicated, so here is a semi-comprehensive list so everyone knows exactly when all of these eras were.

Please note that this is very basic and that there are sometimes subcategories (especially in the 17th century, Jacobean, Restoration, etc)

And people wonder WHY I complain about History/Art History periodization. Note how much overlap there is to the above “eras”, and how many exceptions and extensions there are to these categories.

Oh, and by the way…

Tudor:

image

Elizabethan:

image

Stuart:

image

Georgian:

image

Regency:

image

Victorian:

image

Edwardian:

image

Because you wouldn’t want to be historically inaccurate.

(via karnythia)

Supporters of Marissa Alexander Organize 'Standing Our Ground' Week

freemarissanow:

Standing Our Ground Week of Action: July 25 - August 1, 2014
Join us in Jacksonville (in person or livestream)
Organize in your community!
Post #SelfiesForSelfDefense online all week!

(via crunkfeministcollective)

one of the most durable paradoxes of white supremacy - the idea that those who are closest to an experience of oppression are its least credible witnesses.

Walter Johnson, Soul by soul: life inside the antebellum slave market
(via drapetomaniakkk)

(Source: guitarbains, via softhings)

aamerrahman:

This is what I think of this.

aamerrahman:

This is what I think of this.

(Source: blackourstory)

(Source: blackourstory)

medievalpoc:

rebornasacynic:

babefield:

cusscakes:

medievalpoc:

heartsalchemy:

medievalpoc:

Peter Lely

Portrait of Elizabeth Murray

England (c. 1650)

Oil on canvas, 124 x 119 cm

[x] [x] [x] [x]

I think I have seen pictures of this before, in high school maybe, but I don’t remember there being a second person before. I seem to remember this image being cropped differently too, which is very disturbing because now that I see the entire painting, the way I remember it being cropped was very clearly and deliberately intended to remove the person holding the tray of flowers.

Since we’re throwing haymakers at the kyriarchy today, I think this is something that we should really be talking about too, because it happens

ALL. THE. TIME.

Level 1: People of Color from Medieval, Renaissance, and other Early Modern European works were often literally painted over in later decades or centuries.

For example: In this painting, Giulia de’Medici (the child) was painted over in the 19th century:

image

Level 2: It was very fashionable in a lot of 17th and 18th century paintings to have a Black servant featured in portraits of very important historical figures from European History.

Honestly? They’re practically ubiquitous. A lot of the very famous paintings you’ve seen of European and American historical figures have a Black servant in them that have been cropped out or painted over.

Those silly stock photos from your American History Professor’s Powerpoint?

Your Professor’s PowerPoint for “George Washington”:

image

image

The actual painting:

image

image

Your professor’s Powerpoint on Jean Chardin:

image

The actual painting:

image

PowerPoint on Maria Henriette Stuart (with some commentary about the Habsburg jaw):

image

Actual Painting:

image

But, because of whitewashed history curricula, teachers and professors continue to use the cropped images because they don’t want their lecture to get “derailed” by a discussion about race.

These images are also more commonly seen on stock photo sites, including ones for academic use.

I honestly can’t find anyone really writing about this, or even any analysis on how often the cropped photos are used.

The reason they are so easy to crop out is because of the the artistic conventions which reflect the power hierarchy:

Oil paintings of aristocratic families from this period make the point clearly. Artists routinely positioned black people on the edges or at the rear of their canvasses, from where they gaze wonderingly at their masters and mistresses. In order to reveal a ‘hierarchy of power relationships’, they were often placed next to dogs and other domestic animals, with whom they shared, according to the art critic and novelist David Dabydeen, ‘more or less the same status’. Their humanity effaced, they exist in these pictures as solitary mutes, aesthetic foils to their owners’ economic fortunes.

This is drastically oversimplified, but at least it addresses it directly.

If anyone knows more on any studies or statistical evidence on this tendency, feel free to add it.

I just learned things.

i think about this a lot

My art history teacher told us about this black crusader who was considered a hero in Europe. He showed us some portraits of him, but after time Europeans began to portray him as a white man in artwork. He also showed us medieval paintings of free black men. He said people think there are no medieval paintings of black people, but there are and they just aren’t shown to or seen by many people.

I’m glad to hear that your teacher has been trying to incorporate this kind of material into the curriculum. That’s why I try to include as many educational links and resources as I can along with the images-even professional educators can have a hard time finding these artworks and info about them.

It’s also worth mentioning that part of why I focus on Europe-which is a subject of some valid criticism, considering how little time is usually spent on non-Western cultures in history related classes-is because what MUST be included in U.S. world history education by high schools and colleges is according to strict guidelines that are Eurocentric and/or Western-centric.

Educators  are often working under pretty strict conditions about what they HAVE to teach you. It’s my hope that by providing a lot of specific examples from eras and artists, professors and high school teachers will be able to make their powerpoints and handouts more representative of the people in the classroom and still stay within the dictates of their department or institution.

Ideally, world history and art history will become less Western and Euro-centric, but in the meantime while our history education remains the way it is, these materials can help show that history is more diverse than a lot of textbooks would lead you to believe.